Seven Pounds

sevenpounds

December 19, 2008
Drama/Romance
PG-13
United States
Director: Gabriele Muccino
Recommended by: Christyl Johnson Klott

“In seven days, God created the world, and in seven seconds, I shattered mine.”

The story follows Ben Thomas (Will Smith) who works for the IRS as a tax collector in Los Angeles, California. The opening scene is him calling 911 to report a suicide. When asked who the victim is, he replies, “I am.” This sets the mood for the rest of the film, giving the viewer a sense of tension throughout. Ben carries a weight, and you can see it in his face. When he smiles, it never quite reaches his eyes, and the heaviness he emits is evident even in the way he moves. He lives in a beach house where he sleeps on the sofa. It’s completely trashed, where you can tell that he just doesn’t have any care in him about himself.

There are seven people to note in this movie: Ezra, Emily, George, Holly, Connie, Nicholas, and Tim. There is a very specific reason why Ben chose these people, and we will get into them one by one.

The first is Ezra Turner (Woody Harrelson), who works for a meat delivering company, enjoys playing piano, and is completely blind. Ben calls him to complain about the meat he ordered, mostly on how bad it tastes. During the conversation, Ezra is trying to get information on Ben to review the order, but Ben’s temper keeps increasing. When Ezra finally manages to get Ben’s name, a computerized voice announces that there is no order for a Ben Thomas. Ben can hear it over the phone, and realizes that Ezra is blind. This takes the call in a completely different direction, where Ben insults Ezra’s blindness and just him as a person. He’s trying to get a reaction out of Ezra, but it never comes. Ezra is completely calm throughout the duration, and the most angry he gets is simply hanging up. At first, I thought Ben had an overwhelming anger problem, especially after the call when he breaks a chair. Turns out, there’s a far deeper meaning.

Then there’s Emily Posa (Rosario Dawson), who Ben tries to get in contact with. He finds out that she’s in the hospital, and proceeds to follow her around. Naturally, she notices how much she’s seeing him and confronts him about it in the hospital’s cafeteria. He explains who he is and that he needs to audit her, as she’s several thousands of dollars in debt. Throughout the majority of the movie, we learn why: she had to quit her business as someone who makes wedding invitations, cards, and the like due to a congenital heart disease and her hospital bills keep racking up. She’s given less than two months to live if she doesn’t get a donor, and even has to have a nurse at her home. Now, this is a romantic piece, so obviously, Ben and Emily get closer. He shows up at her house to weed her yard and fix a printing machine that seems to not require so much physical labor to operate. At one point, Emily invites Ben over for dinner, and this scene is the only one where we see him truly smile.

The next is George Ristuccia (Bill Smitrovich). He’s not a big character, and we only see him once, but is an important person. George is in the hospital for a kidney transplant, and the exchange between him and Ben is about how good a person George is. He has paid for some kids to go to college (not his own), and when he asks Ben, “Why me?”, Ben responds with, “Because you’re a good man … Even when you don’t know that people are watching you.”

Holly Apelgren (Judyann Elder) is a social services worker who, when we first see her, clearly already has a history with Ben. Again, not a big character, but we find out that Ben had given her half of his liver. As a result, she’s willing to do any favor he needs. What he requests is a name: someone who needs help, but is too proud to ask for it.

This leads us to Connie Tepos (Elpidia Carrillo). This poor woman is in a terribly abusive relationship with her boyfriend and has two children who are stuck in the middle. Holly told Ben that Connie’s boyfriend broke some of her ribs a few months back and even tried to kill her when she attempted to leave a year before. So, Ben goes to Connie’s house and tells her he can help. Unfortunately, most of the dialogue is in Spanish and I couldn’t get the subtitles to work, so I don’t know exactly what they were saying, but was able to get the general impression. When Connie realizes exactly why Ben is there, she becomes angry and kicks him out of her house, but not before he can leave his card with her. A few days later, she calls him from a laundromat, crying, and says that she doesn’t know why she called, but wants to know if Ben really can help. He meets with her, gives her an envelope, and tells her where to go. She drives to his beach house, which has been completely cleaned and furnished, and opens the envelope where she finds a note. He tells her that all she has to do is sign on the dotted line, and the house is hers outright. All he asks is for her to not contact him for any reason and to live life abundantly. She does.

Nicholas (Quintin Kelley) is the one we really know the least about. He’s just a young boy who suffers from what I’m assuming is leukemia. Ben sees him off and on during his trips to the hospital, and decides to donate some of his bone marrow.

The final person we learn about is Tim. Earlier in the film, Emily passes out due to her heart not pumping enough blood to her brain and ends up, once again, in the hospital. She calls Ben and has him tell her a story. He decides on one about a little boy named Tim who wanted to fly. He strapped leaves and branches to his arms, climbed a tree, and jumped off, which led to a broken arm, but an ever-growing passion for flight. When Ben takes Emily home from the hospital, she begins asking questions about his personal life, and he reveals that he went to MIT because he wanted to be an engineer for a space program. I think this is when I started to realize something was off.

The night Emily invites Ben to her home for dinner, his brother shows up. He’s someone we’ve seen here and there, but don’t know too much about until he demands to have his credentials back and keeps calling Ben “Tim”. It’s this moment we see that Ben Thomas is actually the brother, and Will Smith’s real character is Tim, and that he had been impersonating Ben, including working for the IRS.

After the exchange with Ben, Emily and Tim spend the night together, and admit that they’re in love with each other. At this point, she doesn’t know Tim’s true identity. After she falls asleep, Tim runs to the hospital to find out, statistically, how likely Emily has of surviving. When he’s given three to five percent, he makes a decision.

Off and on, we see a man who is a good friend of Tim’s named Dan Morris (Barry Pepper), and during their brief interactions, we know that Dan is aware of what Tim is planning. When Tim leaves the hospital, he calls Dan to tell him that it’s time, then immediately hangs up. It’s very early in the morning, and Dan is just sitting in his bed, crying.

Tim has rented out a motel room, where he’s been living since before giving his beach house to Connie. He returns there and calls up Ezra, where he apologizes for his behavior on the phone weeks before, and that the reason for it was to find out how good of a person Ezra is; if he was quick to anger. He then tells him that a man named Dan would be getting in contact with him and that Ezra could trust him. Then, Tim dials 911, and the opening scene plays again.

Tim told a story about how when he was twelve years old, his father took him and Ben to an aquarium, and that was the first time Tim had ever seen a box jellyfish. His father told him how deadly they are, but Tim thought they were the most beautiful things he had ever seen. He ends up owning some and sets up his own small aquarium for them to stay with him at the motel. After calling for an ambulance, Tim turns on the bathtub, fills it with ice, climbs in, and dumps his jellyfish into the water with him. They, of course, sting him, and stop his heart. The hospital tries to revive him, but are unsuccessful.

Why does Tim do all this? We find out from Ben, who is speaking to Emily, that a year before, Tim was involved in a car accident that claimed the lives of seven people, including his fiance, Sarah (Robinne Lee). The reason for the accident was due to Tim looking at his phone while driving. A few months after that, Ben was in need of at least one new lung, so Tim gave him one.

Ezra needed new eyes, Emily needed a new heart, George needed a new kidney, Holly needed a partial liver, Connie needed out of her abusive relationship, Nicholas needed bone marrow, and Ben needed a new lung. Seven lives saved for seven lives taken.

The ending scene is Ezra playing piano for a group of kids singing and Emily shows up. At the end of the show, she gets his attention, and when he turns to her, she gets to see Tim’s eyes. At first, he’s confused on who she is, but then sees the scar on her chest and realizes that it’s Emily. She’s crying, they hug, and the movie ends.

I told the person who recommended this to me for a review that I was surprised it’s not more well-known. It grossed drastically short of the budget on the opening weekend, though did end up doing well world-wide. I had never heard of it until just recently, and I’m a huge Will Smith fan.

So, what do I think of this film? I’m not much for tearjerkers, but I have to say, starting with the opening scene, I was completely enthralled. It’s kind of hard to follow at first, because, at least for me, I had a lot of questions about what was going on, but the end ties everything together rather nicely. If you like romantic dramas, I do think this is one to watch. It’s heartbreaking, but definitely worth seeing.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

House of 1000 Corpses

April 11, 2003
Horror/Slasher
R
United States
Director: Rob Zombie

“Ladies and gentlemen, boys and girls, children of all ages: you are about to enter a world of darkness. A world where life and death are meaningless, and pain is God.”

October 30, 1977

Captain Spaulding’s Museum of Monsters and Madmen is an out-of-the way attraction for people who need gas or have nothing better to do with their time. For four young adults, it’s the perfect place to check out for their book.

Jerry (Chris Hardwick) is the fanatical one of the group, where is girlfriend, Denise (Erin Daniels) isn’t quite as excited about it. Bill (Rainn Wilson) is into it, though not as much as Jerry, and his girlfriend, Mary (Jennifer Jostyn), is even less thrilled than Denise. But, as they are writing a book on such places, they all agree to check it out. Jerry buys them tickets to go on Captain Spaulding’s murder ride, and it’s here that they learn of the legend of Doctor Satan. Jerry is dying to know where the tree that supposedly hanged Doctor Satan is, so Captain Spaulding (Sid Haig) draws him a crude map.

Denise and Mary are arguing with Jerry about how necessary it would be to see the tree, considering it’s dark and pouring rain. As they’re debating, Bill spots a woman on the side of the road, hitchhiking. He pulls over to let the woman in, and she directs them to her house. Unfortunately for the four, Baby (Sheri Moon Zombie), is also leading them to their demise.

Rufus (Robert Allen Mukes), Baby’s brother, shoots out their tire. Baby tells the others to not worry because “my brother”, that being Rufus himself, has a tow truck and they’re in walking distance from her house. Her and Bill get out of the car to get Rufus, and they’re soon all reunited at the farmhouse, which looks like something out of a nightmare.

The night quickly goes from bad to worse as the girls become jealous of Baby and how affectionate she is with the boys. There’s a lot of arguing, and Mother Firefly (Karen Black) tells them to leave. They do, but before they can even get off the property, they’re attacked by Otis (Bill Moseley) and Tiny (Matthew McGrory) and taken back to the house.

October 31 – Halloween

The group find themselves in a lot of trouble. Bill dies first, being turned into “Fish Boy” by Otis. Jerry is scalped by Baby, but is left alive. Mary is chained in a shack outside with a bunch of recently-killed girls. Denise is tied up in a bed, where she almost gets out when Tiny lets her go. She doesn’t, of course, because Otis stops her and throws her in a cage.

Halloween is a big night for the Firefly family, and they celebrate it with excessive amounts of alcohol and murder. Mary tries to run off, but Baby catches her and stabs her to death. Denise and an unconscious Jerry are put in a coffin and lowered into the ground, where Jerry is grabbed by a bunch of people seemingly living in the muck.

Denise starts to make her way through the labyrinth of tunnels, where you can see how the farm got the name of “House of 1000 Corpses”. She finds her way to a place that looks almost like a waiting room in a doctor’s office. There are people there, eating, either disfigured or have some sort of contraption attached to them. It’s here that Denise finds Jerry. Unfortunately, he’s strapped to the operating table of none other than Doctor Satan (Walter Phelan) himself, who looks like he’s being kept alive by machines. He has Jerry’s skull opened up and shoots electricity into the brain, causing blood to flow from Jerry’s mouth.

Denise takes off when a huge, cyborg-like man comes at her with an ax. He ends up being his own downfall when he swings the ax at her and knocks a pillar over, causing the roof to collapse on him. Denise seems to also get caught in the rubble as she falls to the ground.

November 1

Denise wakes up and crawls to freedom. She manages to make her way to a road, where she waves down a car. She’s battered and bleeding and readily gets into the car driven by Captain Spaulding. She says she needs to go to a doctor, and Spaulding tells her he’ll take her to one, she just needs to lean back and relax. She ends up passing out, not realizing that there’s someone else in the car with them.

Otis pops out of the back seat. When Denise wakes up, she’s the one strapped to Doctor Satan’s table.

This was the first movie that Rob Zombie directed, and I instantly became a fan. It has gore, blood, and more gore. And then more blood. However, if you don’t have a strong stomach, are easily offended, or just aren’t used to horror movies, I don’t recommend this, at least not right away. Even for more seasoned horror fans, it can be difficult to watch, and I think that was done intentionally. As stupid as this is going to sound, it plays out like a horror movie, which is really hard to explain unless you’ve seen it. There are cuts of random photo and video footage that just makes you feel uncomfortable.

Having said that, if you can take all the ick this movie has to offer, along with the very strong language and nudity, it’s so worth it. I’ve watched horror all my life, and this was one of the very few that disturbed me upon first seeing it. Psychotic people make the best villains, mostly because we, as viewers, know that this kind of thing can actually happen, even if only subconsciously. The movie is very over-the-top, as is the Hollywood way, but the insane, crazed killers that are really out there make these kind of movies that much more terrifying, proof by this film being the one that put Rob Zombie’s mark in the world of horror.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Apostle

September 21, 2018
Horror/Thriller
TV-MA
United States
Director: Gareth Evans

“Beware of false prophets which come to you in sheep’s clothing, but inwardly, they are ravening wolves.” – Matthew 7:15 KJV

It’s 1905 and the wayward son of the prestigious Richardson family has returned home; though, not in a way he had hoped. Thomas (Dan Stevens) gets information telling him that his sister, Jennifer (Elen Rhys) has been kidnapped by a religious cult and there’s a ransom being demanded for her return. He’s warned to not reveal who he is or to give the cult the ransom until he can see that Jennifer is alive. As Jennifer has always been there for him, Thomas vows to be there for her.

He gets himself invited to join the cult and is taken away on a boat with other members to the cult’s village on an island off of the coast of England. He does as he’s told and fits in well with the villagers, even earning the trust of the prophet, Malcolm (Michael Sheen), after saving Malcolm’s life. Malcolm claims that he’s been chosen by the goddess who rules the island, and as long as they do as he says, she will provide for them.

But even with the different acquaintances he makes, there’s one that Thomas trusts more than the rest: a younger man by the name of Jeremy (Bill Milner). Jeremy confesses to Thomas that he had known Jennifer, and that Malcolm’s guards were keeping her locked up. He agrees to help Thomas get Jennifer back, but tells him to not pay the ransom. Heeding the warning, Thomas decides to sneak Jennifer off the island.

There are problems that get in the way, however. Jeremy’s father, Frank (Paul Higgins) can see that the village is ruined and wants to get him and his son away. The other who had helped found the cult, Quinn (Mark Lewis Jones), is the brute force of the three and wants nothing more than to rule the island himself by keeping the goddess as his own, personal slave. He’s a man of anger and revenge, proven by carving up his own daughter, Ffion (Kristine Froseth) and brutally killing Jeremy.

Through the aches and pains, the death and dismemberment of friends, Thomas refuses to give up. As he’s searching, he finds the goddess herself (Sharon Morgan). She begs for him to free her, and he does by setting her on fire. After, he finds Jennifer and rushes to get her and Malcolm’s daughter, Andrea (Lucy Boynton), to a boat that’s waiting for them. Jennifer and Andrea make it, but Thomas, who Quinn had stabbed multiple times, tells them to leave him behind. As the boat sails away, Thomas’ body is taken by the island.

This movie has a lot of what I like when it comes to horror: blood and gore. And trust me when I say, I gets pretty brutal. As you’re watching, you can almost feel the hooks digging into your skin and your fingers being ripped from your hands. It had so much potential… then they ruined it by adding the whole goddess aspect. Unless a movie claims to have supernatural phenomena in it, it just destroys horror for me. It’s not that scary to me, anyway, but something so over-the-top like what they did with this film, frankly, is nothing short of disappointing. There is no part about it to fear. Had they left it with just people tormenting one another, that would be a movie worth watching, because there’s nothing more frightening than the knowledge of what humans are willing to do to each other. Adding the goddess into it was such a let-down.

Also, animal deaths. I will admit that it added to the overall ickiness, but if you’re anything like me, those parts are going to be really hard to watch.

So, do I recommend this movie? Just based on the goddess part, I would say no. It did absolutely nothing for the film. If you’re a gore fan, as I am, I would say it’s worth it for that. The acting can’t be discredited, either. Michael Sheen, for me, is what saved what little this movie had to offer. I had such high hopes when going into this, and to have to end up with a fairly negative review really is a bummer. But, I’m not gonna lie; it is what it is. If you’d like to take two hours out of your day and check it out, it’s not bad enough that I’ll judge you for it. But, I won’t waste my time again.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Fantasy Island

Februrary 14, 2020
Horror/Thriller
PG-13
United States
Director: Jeff Wadlow
Recommended by: Kimber Spores

There’s a place called Fantasy Island where anything and everything is possible. Five lucky guests get to have everything they desire. It sounds like a dream come true. In reality, it’s a nightmare.

Mr. Roarke (Michael Peña) is the island’s operator, but he’s not responsible for the fantasies coming to life. According to him, that job belongs to the island itself. Him and his staff, including his assistant Julia (Parisa Fitz-Henley), take care of the guests before they’re sent off on each of their adventures. There are two rules: only one fantasy per person, and the fantasy must be completed to it’s natural conclusion.

It starts with brothers J. D. Weaver (Ryan Hansen) and his younger brother, Brax (Jimmy O. Yang). Brax wasn’t technically one of the guests, but J. D. was allowed to bring him. J. D.’s fantasy is to have everything: wealth, women, a non-stop party. Brax gets to enjoy it. Next is Gwen Olsen (Maggie Q). Her fantasy is to go back in time and say “yes” to Allen Chambers (Robbie Jones) when he proposes to her and have a daughter. She gets what she wants, including Lila (Jeriya Benn), her five-year-old.

The other fantasies aren’t so upbeat. Patrick Sullivan (Austin Sowell) had always wanted to enlist, but promised his mom he wouldn’t. He wants to be a hero, like his dad. Finally, there’s Melanie Cole (Lucy Hale), who wants revenge on her high school bully, Sloan Maddison (Portia Doubleday).

Things go as expected, of course, but they start to go wrong. J. D. and Brax realize that with having everything, someone else will want it, so they’re attacked by a group of men in masks and wielding guns. Patrick finds out he’s dumped into the middle of his father’s army mission; the one where his father (Mike Vogel), dies. Melanie figures that the girl she’s torturing is just a hologram, but finds out quickly that Sloan had actually been kidnapped and brought to the island. And Gwen sees that, though her perfect life is exactly what she wants, it’s not what she deserves. She has a dark past, one that cost a man his life.

The only one who really knows what’s going on is a man who has been living out in the woods. Damon (Michael Rooker) was a private investigator who got himself invited to the island to check out if the claims were true: that everyone’s fantasies become real, but then turn bad. He finds out how the island really works and tries to save the guests, including tackling a bad guy off of a cliff to save Melanie and Sloan. The problem is, the bad guys don’t die, and the guests who die come back as monsters.

The guests end up running into each other during their fantasies, and they realize that they’re not going through their fantasies at all; just one person. They figure out that they’re all connected to each other. Six years before, Gwen accidentally started a fire in her apartment. Her upstairs neighbor, Nick Taylor (Evan Evagora) was trapped in his own apartment. His roommates, J. D. and Brax, didn’t check to see if he was in his room because he was supposed to be out with a girl: Melanie. Patrick was the cop on the scene who refused to go into the building until firemen showed up. The fantasy was just one big revenge plan.

But from who? Who would bring all of these people to the island to kill them? I know the blog is called Spoiler Alert, but you’re gonna have to watch the movie to find out.

If you’re hesitant about horror movies, but are interested in trying them, I recommend this one as a good place to start. Yes, there’s a bit of gore, and yes, it’s suspenseful, but there’s also a fair amount of humor thrown into it to keep it from being too creepy. And, there’s a (for me, disappointing) fairly happy ending. Including an appearance from Tattoo, the character from the Fantasy Island TV show.

To me, this movie isn’t scary, and I wish it had a more heartbreaking ending, but it is entertaining nonetheless.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Would You Rather

February 8, 2013
Horror/Thriller
Not Rated
United States
Director: David Guy Levy

“Life is a matter of choices, and every choice you make makes you.” – John C. Maxwell

Iris (Brittany Snow) is forced to drop out of school after an accident takes the lives of her parents in order to help provide for her brother, Raleigh (Logan Miller), who has leukemia and needs a bone marrow transplant. The medical bills are piling up and Iris is having a hard time getting a job. That’s when she meets a man who claims to be able to not only provide enough money for debts, but also find a donor for Raleigh and eliminate any waiting list.

Shepard “Shep” Lambrick (Jeffrey Combs) runs a philanthropy foundation, helping to build medical centers and schools all over the world. He meets Iris and offers her an invitation to a dinner party with seven other guests, at the end of which will be held a game. The winner gets everything they need to take care of their problems. Though Iris is hesitant, she agrees.

Things start pleasantly enough. The party includes Iris, Shep, Lucas (Enver Gjokaj), Amy (Sasha Grey), Conway (John Heard), Travis (Charlie Hofheimer), Cal (Eddie Steeples), Linda (June Squibb), and Peter (Robb Wells). Accompanying them are Shep’s son, Julian (Robin Lord Taylor), Shep’s butler/right hand man Bevans (Jonny Coyne), and Bevans’ staff. At the beginning, the contest is difficult, but manageable. Iris, who is a vegetarian, gets $10,000 to eat steak. Conway, who is a recovered alcoholic for over sixteen years, gets $50,000 for drinking a decanter of scotch. It’s when the players realize that things are going to get dangerous that Conway tries to leave, and is promptly shot in the head. There’s no way out.

Each player takes turns answering a question of “would you rather?”. Whatever option is chosen, that person must perform, and they’re on a time limit. It begins with the choice of electrocuting themselves or someone else. As the game progresses, the challenges get more difficult. Each player is slowly eliminated via death. Or close to death (it’s never really revealed whether Travis lives or not). Travis is whipped, Linda bleeds out, Peter dies from presumably shock, Amy drowns, and Cal is shot by Shep after an escape attempt. At the end, only Iris and Lucas are left.

Iris gets the choice to either let her and Lucas leave, completely alive, but empty-handed, or she fatally shoots Lucas. It’s at this point that Shep reminds her of why she’s there to begin with: Raleigh. Understandably, Lucas tries to persuade Iris to let them leave, and even tries to connect with her by telling her why he’s there. Before he can finish, though, Iris shoots him in the heart. As Shep, Bevans, and the rest of the staff congratulate her, Iris drops the gun and buries her face in her arms, crying.

After she composes herself, Iris is taken back home, where she cleans herself up. She goes to check on Raleigh, who is still in bed. She trues to wake him up, but as she rolls him over, she sees and empty bottle of his medication and vomit on his pillow. While she was gone, making impossible decisions on his behalf, Raleigh committed suicide.

I happened across this movie while looking for something to watch. I honestly thought it was going to be another typical students getting themselves into trouble movie, but, as it turns out, it’s probably one of the better B-movies I’ve seen. The things that the players are forced to go through are truly uncomfortable to watch and the acting is spot-on. Fun fact, Brittany Snow is also one of the producers.

I fully expected things to go Iris’ way after the nightmare she went through, but after coming home to find her brother dead by his own hand, it made me enjoy this movie that much more. Having a not-so-obvious ending is what I like in most films. It is sad, clearly, but I think it really makes you feel something, and that’s what made this movie. If you can handle a bit of blood and can sit through watching people die over and over, I highly recommend it. It’s a great film that’s worth the watch.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

#Alive

September 8, 2020
Action/Horror/Drama
Not Rated
South Korea
Director: Il Cho

“Survival can be summed up in three words: never give up.” – Bear Grylls

Oh Jun-wu (Yoo Ah-In) is a fairly popular online gamer who quickly finds himself in the middle of a zombie-like apocalypse. His family goes out and he finds a note from his mother (So Hee-Jung) to get groceries. Being a typical teenage boy, he doesn’t, and he quickly finds himself regretting that decision.

On the news talks about an infection spreading like wildfire across the country, and those infected are exhibiting violent and cannibalistic traits, which Jun-wu sees first hand when a girl attacks her mother. And, like with any zombie movie, being bitten or scratched spreads the infection. Jun-wu bunkers down in his apartment, doing his best to ration his food and water, and it takes less than a month for him to run out.

Wi-fi and cell phone signals are down, but he uses his drone to fly his phone toward the top of his complex to get a better signal. He finds he has a voice message, so he listens to it. It’s his mother instructing him to stay inside and that she and the rest of the family are safe in Jun-wu’s father’s office. But then Jun-wu hears screaming and calling for help, and that’s when the voicemail stops.

Assuming his family is dead, Jun-wu sets up a makeshift noose to hang himself, but is stopped when he sees a laser pointer shining through his window. This is when he first meets Kim Yu-bin (Park Shin-hye). The knowledge of someone else alive fuels Jun-wu’s desire for survival and the two help each other, either by sending food back and forth or just lifting each other’s spirits with simple conversation.

However, they realize that they’re not going to live long if they stay where they are, so they make an escape to the eighth floor, where Yu-bin swears it’s clear. She’s wrong, but they’re saved by another survivor (Jeon Bae-su). He gives them food and water, but he’s not as nice as he appears to be. They soon find out they’ve been drugged and the survivor drags Yu-bin to another room where his wife (Lee Chae-kyeong) has been infected and he intends to use Yu-bin and Jun-wu as food for her.

While Yu-bin is fighting the woman off, Jun-wu comes to and runs to her aid. They manage to escape when the survivor opens the door and his wife falls on top of him and biting him. Moments later, Yu-bin and Jun-wu hear the sound of helicopters and make a break for the roof to try and signal them. When they make it, though, they see no helicopters and the infected burst through the rooftop door.

Just when you think all his lost, a helicopter rises up and two military officers open fire on the infected, keeping them at bay along enough to get Jun-wu and Yu-bin to safety. As they fly off, Jun-wu’s phone goes off and he sees he’s received many messages from his mother, and he realizes his family (at least, some of them) is alive.

This movie starts off feeling very college-level. While the zombie action starts almost immediately, there isn’t much going on in the way of really anything except Jun-wu going through each day, and the acting leaves a bit to be desired. There’s not much in the way of gore, which some people might prefer, and only one jump scare. Other than that, there really wasn’t much too it.

But before you go thinking I hate this movie, I do have to say that it gets better the further along it goes. You find yourself being sucked into the lives of Jun-wu and Yu-bin and their battle to stay alive. The ending with the helicopter rescue was a little predictable, but I can’t fault it for that since a lot of films and TV are predictable.

I can’t say I’m anxious to watch this again, but it wasn’t terrible. I’ve definitely seen worse. If you’re a die-hard zombie fan, you might get enjoyment out of it. I will say, though, the zombies run and they’re extremely intelligent. I mean like knowing how to climb ropes. Because that does happen at one point. I’m not a big fan of that when it comes to zombie flicks, but I didn’t hate it, either. I’d say give this one a shot. You might really like it.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Return to Me

April 7, 2000
Romance/Drama
PG
United States
Director: Bonnie Hunt

“Sometimes the heart sees what is invisible to the eye.” – H. Jackson Brown, Jr.

Some love stories make you laugh. Some love stories make you cry. Some love stories make you want that passion, or appreciate the one you have. This one is all of the above.

Bob Rueland (David Duchovny) is a successful architect and his wife, Elizabeth (Joely Richardson), is a doctor who works at a zoo, where she specifically watches after Sydney, the gorilla. She’s speaking at a dinner party, hoping to get enough donations to build Sydney and his family a new, bigger habitat. Bob promises he’ll get it done with or without the extra funding, so long as she promises him a trip to Italy. She agrees, but unfortunately, it never happens.

On the way home after the dinner party, Bob and Elizabeth are in a car accident. One where Elizabeth doesn’t recover from. This sends Bob into a downward spiral. He never goes out except for work, he lets his house turn into a large garbage can with take out containers everywhere, and he has a hard time with his dog, Mel, who really only eats when Elizabeth is home.

Enter Grace Briggs (Minnie Driver). She has a heart condition that she inherited from her mother, and the only way she’ll survive is with a new heart. Unbeknownst to anyone, the heart she receives is Elizabeth’s. After her surgery, she wrote a thank you letter to sent anonymously to the donor’s family, and finally did so well after she was healed.

After a year, Bob realizes he needs to snap out of his funk, and finally agrees to go out with his friend, Charlie (David Alan Grier) to an Irish/Italian restaurant called O’Reilly’s where, coincidentally, Grace works as a waitress. This is where they meet for the first time. They feel an instant connection and it’s not long after when Bob asks her out.

His mood is instantly lifted. He’s happy and all-around having fun again. He hangs out with Grace and her family a lot, who consists of her grandfather Marty (Carroll O’Connor), her uncle Angelo (Robert Loggia), her best friend Megan (Bonnie Hunt) and her husband Joe (Jim Belushi), Megan’s father Wally (William Bronder), and their friends Emmett (Eddie Jones) and Sophie (Marianne Muellerleile). Even Sydney reacts the same way with Grace as he had with Elizabeth, and Mel follows Grace around. Everything is going great, except that Grace is too nervous to tell Bob that she’s had a heart transplant. She had told Megan that every time a guy finds out about it, they think she’s broken, and Bob is so wonderful to her, she’s afraid of what his reaction will be.

She finally decides to tell him, but before she can, she finds the letter she had sent in his house. It’s then that she realizes the heart she has belonged to Bob’s late wife. In a panic, she leaves, but knows she can’t keep it a secret forever.

Grace has never been on an airplane before and has always wanted to go to Italy to paint. Marty bought her a plane ticket, and she decides that now is a good time to leave as to not hurt Bob more than she has to. She also was never able to ride a bicycle before, and when her kickstand breaks, Bob buys her a new one. He shows up to surprise her with it and she tells him she’s leaving. When he asks why, she shows him the letter she had taken from his hows and explains that she was the one who wrote it. Understandably, this is a lot for Bob to take in, and he leaves to gather his thoughts.

Grace leaves for Italy and is gone for two days before Bob shows back up at the restaurant looking for her. Marty takes Bob outside and tells him that he knew the heart Grace got would have had to belonged to someone special, and that maybe that heart was meant to always be with Bob.

Bob had said he misses his wife, he will always miss her, but he aches for Grace. So, he takes off for Italy after her, and when he finds her, he tells her he loves her. She, in turn, lays his head on her chest so he can hear her heartbeat.

Bob and his team finish the habitat for Sydney and they dedicate it to Elizabeth. Grace and her family and friends are there in support. The movie ends with a wedding, but not the one you might think. Sophie and Wally get married, and the credits roll while showing Bob and Grace dancing.

If you’re anything like me, you’re gonna cry throughout this movie. At the beginning when Elizabeth dies, especially with watching Mel wait for her, then when Grace tells Bob about the transplant. But don’t let that deter you; this film is also filled with lots of laughs, particularly from Marty, Angelo, Wally, and Emmett.

I don’t remember any advertising for this movie when it came out, and that’s a shame, because it’s really good and more people should know about it. It’s funny and sad and romantic and goofy all at once. If you’re into rom-com’s, I definitely recommend it.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Sinister

October 12, 2012
Horror/Thriller
R
United States
Director: Scott Derrickson

“Shhh…”

Four family members have bags over their heads and nooses around their necks. An intricate mechanism is set up to have a pole saw cut a branch, and as the branch falls, the family is lifted up into the air, where they hang until they die. This sets the feel for the rest of the movie.

Ellison Oswalt (Ethan Hawke) is a true crime writer who has set his sights on the subject of his new book: the Stevenson family who were hanged in their backyard and their missing daughter, Stephanie (Victoria Leigh). He hasn’t had a best seller since “Kentucky Blood”, and he’s determined to change that. Unbeknownst to his wife, Tracy (Juliet Rylance), he has moved his own family into the house the Stevenson’s once owned in a small town in Pennsylvania. Their kids, Trevor (Michael Hall D’Addario) and Ashley (Clare Foley), get taken along for the ride.

As Ellison is helping carry boxes into the house, he finds one already in the attic. When he opens it, he sees five home movies and a projector. Since the house was the scene of a gruesome murder, he decides they would be worth watching in case anything is left on them that could give him clues about the killer and the missing girl.

The films include the titles: “Family Hanging Out”, “BBQ”, “Pool Party”, “Sleepy Time”, and Lawn Work” – all with different years. He decides to watch “Family Hanging Out”, and it starts out rather normally: a family enjoying their time together in their yard. What it turns into, however, is the snuff film of the Stevenson family being hanged. This is a shock to Ellison, but he decides to see what other films there are and watches “BBQ”. This one shows a family fishing at a river, but quickly cuts to them tied up in their chained-up car in the garage, which is promptly set on fire. At this point, he contemplates calling the police, and actually does, but when he gets an answer, he remembers the book he wants to write and hangs up.

As the days go on and Ellison does more research into the murders, Trevor begins having night terrors. He’d had them when he was younger, and his parents thought he was over them, but now they’re back and worse than ever. Ellison finds Trevor first in a moving box, then again out in some bushes in the backyard. Tracy, who already struggles with her husband’s work, finds herself becoming short with him and arguing about what their move to that house is doing to their family. Of course, Ellison hasn’t told her whose house they’ve moved into, but she can sense something is wrong.

On top of this, Ellison starts hearing footsteps in the attic. He decides to take a look, and in doing so, finds a snake underneath the lid for the home movie box. Upon closer inspection of the lid, he notices stick-figure-like drawings of all the home movie murders, though they all seem to be drawn by different people. He’s startled out of his thoughts when he hears a bang behind him, signalling that the door to the attic closed. In a panic, he starts back for the door, but falls through the ceiling. The power had gone out, so he was using his phone’s flashlight to see and filming himself at the same time. When he goes back to look at the footage, he notices several small hands pushing him down as he falls. This is naturally unsettling to him, but not as much as what he sees when he delves further into the home movies.

During “Pool Party” where a family is tied to loungers and drowned in their pool, Ellison spots the face of someone (or something) in the water. It looks vaguely like a man, but the features are distorted… or disfigured. He also finds a strange symbol painted on a wall in the house of “Sleepy Time” right before that family gets their throats slit. But there’s one thing he does see in “Sleepy Time” that catches his eye: the family lived in St. Louis.

The local deputy (James Ransone) is a fan of Ellison, much to the chagrin of the sheriff (Fred Thompson), and becomes a useful part to Ellison’s personal investigation. The deputy (who comes to be known as Deputy So and So) delves into the murders in St. Louis, as well as the family who burned to death in their car. What he finds is that the Stevenson’s used to live in the house in St. Louis after that family had their throats cut. Something else that’s found out is that in each family murder, there is one child that goes missing.

Ellison struggles more and more with the growing knowledge, as well as Trevor’s night terrors and the sounds he keeps hearing through the house. On top of this, he’s woken up on several occasions by the sound of the projector turning on by itself, where the “Family Hanging Out” film is always playing. To further set him on edge, other things happen, like a dog showing up in his backyard and scaring him.

To help further the investigation along, the deputy suggests to Ellison that he should contact a professor who specializes in ancient lore. What Professor Jonas (Vincent D’Onofrio) finds out is that the symbol Ellison found is a worship of an obscure Pagan deity; specifically Bughuul. This particular deity is an eater of children’s souls and he tricks kids away from the real world into a “nether world” where he can consume their souls over time.

The sounds around the house are getting worse, and as Ellison checks around one night, he doesn’t see the ghosts of the missing kids running around and watching him. Little Ashley does, though. Ashley wants to grow up to be an artist, and she’s allowed to paint on her bedroom walls. Mostly, she paints horses, but she gets in trouble when Tracy finds a painting of a young girl on a tire swing in the hallway. When asked why she did it, Ashley explains that Stephanie told her that she didn’t want her painting in the room anymore, because that used to be her brother’s room. That’s when Tracy finds out what house they’re living in. You can imagine how well that conversation goes, though Ellison and Tracy believe it’s the overactive imagination of a little girl who heard the stories about the Stevenson’s rather than a ghost child talking to their daughter. Still, Tracy begs Ellison to stop, even through his refusals.

That all changes, though, when Ellison once more hears the projector turn on. He goes into his office, but when he sees the projector isn’t there, he follows the sound into the attic, where he sees it set up and playing with the ghost children sitting around it. He immediately takes the box with the movies and the projector and burns them, and when Tracy goes to see what he’s doing, he tells her to pack up some stuff and get the kids. They’re leaving.

They move back into their old house and everyone seems content, even with the deputy continuously trying to call and Ellison always ignoring him. He sets up his laptop in his office and opens his emails to see one from Jonas. He clicks on the file to see pictures of strange engravings. Pictures he’s seen before. Pictures almost exactly like the home movie murders. He video calls Jonas, where the professor explains to him that children who see these particular images are more vulnerable to Bughuul’s influence. Ellison doesn’t think much of it at first, but then the deputy calls again. This time, Ellison answers, and what the deputy has to tell him makes his blood run cold.

The deputy did some more digging through the other murders and found out that each of the families that were killed had previously lived in the house where a murder took place. Meaning, Ellison and his family moving put him directly into the pattern of the serial ritualistic killer.

And that’s not all. While Ellison was moving some boxes into the attic, he sees another one that’s very familiar: one that has home movies. Out of fear and frustration, he shakes the contents out of the box and finds something new. This time, there is a package with “extended cut endings” written on it. With his curiosity getting the better of him, he plays them, where he finds that the “missing” kids are the ones who committed the murders of their families.

Now he’s feeling sick, but not just from the discovery. He finds traces of a glowing, green drug in his coffee cup and passes out. When he wakes up, he has duct tape over his mouth and he’s tied up. He can see Tracy, who is also tied up. Ashley comes forward dragging an axe, and tells her father that she’ll “make him famous again”. Then she lifts up a camera and begins filming.

The end shows Ashley drawing on the box lid of her own home movie, which has been given the name, “House Painting”. In the film, we see blood spattered across the walls, with pictures including a horse and dog. Then Bughuul (Nicholas King) picks her up and carries her into the projection screen.

There’s a lot to this movie, I realize, but I wanted to give you a good feel of it. It tops as one of my favorite horror films, because it has so much to it. The ghosts, the ancient gods, the murder, the mystery. I do wish that it had ended without it showing Bughuul carrying Ashley into the projection screen, because I feel like it takes away from the atrocity of what she’s done. Still, it is a great movie with it’s constant creepy vibe and fair share of jump scares, and I highly recommend it.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Kangaroo Jack

kjack

January 17, 2003
Comedy/Adventure
PG
United States
Director: David McNally

“You better run, you better take cover.”

This story starts out in Brooklyn, New York when Charlie Carbone (Robert Reid) and Louis Booker (Shawn H. Smith) were only ten years old. In the movie, Charlie states that three major things happened that day on the beach. First, his mother, Anna (Dyan Cannon) met Salvatore “Sal” Maggio (Christopher Walken), who is a mob boss and would later become Charlie’s step-father. Second was that Charlie and Louis met for the first time. Finally, Frankie Lombardo (Brian Casey) threw a football into the ocean. Charlie went to get it, ignoring the fact that he couldn’t swim. Louis noticed Charlie was drowning and saved him, and that’s where the friendship started.

Twenty years later, Charlie (Jerry O’Connell) is a hair dresser and Louis (Anthony Anderson) is a guy who’s always looking to make a quick buck. He talks Charlie into helping him move some TV’s. And by “talks into”, I mean Louis guilt-trips him by bringing up the day he saved Charlie’s life – as he did whenever he wanted Charlie to help him with something that Charlie didn’t want to do.

Little do either of them know that the truck they’re moving the TV’s in is stolen, and this leads to a large police chase where the end result is Louis and Charlie unknowingly leading the cops to one of Sal’s warehouses where $4.5 million worth of goods are hidden. As one might imagine, this upsets Sal, but he gives the friends a job to redeem themselves. He calls in Frankie (Michael Shannon), who tells Louis and Charlie that they have to go to Australia and deliver a package to Mr. Smith (Marton Csokas). They agree, feeling rather lucky that Sal didn’t kill them, and head for the glorious Outback.

Everything is going well until, while driving their rented Jeep, Charlie hits a kangaroo. Thinking the kangaroo (who is affectionately dubbed Jackie Legs) is dead, Louis decides to put sunglasses and his lucky jacket on it so they can take pictures. While this is happening, the kangaroo wakes up and takes off.

Charlie, who is relieved he doesn’t have to see the red jacket anymore (because, honestly, he felt the jacket was the worst good luck charm ever), can’t stop laughing. Meanwhile, Louis begins crying and explains to Charlie that the jacket has Mr. Smith’s package in it; a package that holds $50,000. Panicked, they chase after the kangaroo, but crash the Jeep and have to figure out a new way to get the money back.

And that’s pretty much how the rest of the movie goes. Louis and Charlie spend their time trying to chase down Jackie Legs (Adam Garcia) and their adventure is filled with the craziest plot-twists. Like hiring a pilot named Blue (Bill Hunter) and causing him to crash his plane, and seeking help from Jessie (Estella Warren) who knows the wildlife of Australia like the back of her hand. Jessie refuses at first, but then Charlie offers her $2,000 to help with her mission of repopulating the Outback with bilbies and she agrees.

Sal gets a call from Mr. Smith, informing him that Louis and Charlie never showed up with the money, so Sal sends Frankie to Australia to fix the situation. Frankie hires the guide Mr. Jimmy (David Ngoombujarra) to help him, and when Frankie finds out where Charlie and Louis are going to be, he gets rid of Jimmy and goes after the two himself.

Mr. Smith and his goons are ready to kill Charlie, Louis, and Jessie when Frankie shows up. He informs Mr. Smith (complete with a smack in the face from the butt of a rifle) that the contract he had with Sal is terminated and sets off to kill Charlie and Louis, telling them that Sal was very disappointed that they lost the money.

They spot Jackie and ride after him on their camels with Frankie hot on their heels in his Jeep. Frankie flips over the Jeep and Louis manages to catch up to Jackie enough to snatch the package out of the pocket, but doesn’t see the cliff that’s right in front of him. The camel comes to an abrupt stop, sending Louis over it’s head and down the cliff, where he’s holding onto a tree root. Charlie is able to latch some belts to his arm and pulls Charlie back up.

Frankie catches up to them and reveals that Sal wasn’t disappointed that the money was lost; Sal was disappointed because Charlie and Louis weren’t dead. Sal had sent them to Australia to pay Mr. Smith for their own execution. Frankie is just about to finish the job when Mr. Jimmy, who is actually a cop, shows up in a helicopter. Frankie and Mr. Smith are both taken into custody and Jimmy tells Charlie that Mr. Smith was a notorious hitman, who he heard was familiar with the Maggio crime family, and when Frankie hired a guide, Jimmy was there waiting for him.

It all is going well until Charlie finds Louis standing at the edge of the cliff. Louis is convinced that Charlie won’t want him around anymore, saying that, “guilt was the glue holding this friendship together,” and that they were even now that Charlie saved Louis’ life. Charlie pretty much tells Louis that the idea is absurd and they share an “intimate, non-gay moment”.

Jackie comes back and Charlie is able to get the jacket off of him and returns it to Louis, and it all ends happily with Sal going to prison, Charlie and Louis using the $50,000 to start their own hair care line called Lily Berry Shampoo, and Charlie marrying Jessie.

This movie has to be one of the corniest films I’ve ever seen, but I’d be lying if I said it wasn’t also one of my favorites. It’s so fun and filled with humor, and you really have to love everything that Christopher Walken does. There are a few things that I have to mention, like the pretty obvious (but surprisingly well-done) CGI of Jackie Legs, and the rather ridiculous fact that kangaroos can only travel up to 35 mph, yet no one can catch up to Jackie on a camel or in a Jeep. But those are minor details. It does have some adult tones, but it’s a pretty good family movie that I think everyone will enjoy.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

Sleepy Hollow

sleepyhollow2

November 17, 1999
Horror/Mystery
R
United States
Director: Tim Burton

“Besides, there is no encouragement for ghosts in most of our villages, for they have scarce had time to finish their first nap…”

Sleepy Hollow, New York, 1799

Constable Ichabod Crane (Johnny Depp) is a scientific man who longs to properly solve crimes and has a habit of disrespecting his superiors to get his point across. The burgomaster (Christopher Lee) gives Ichabod the opportunity to do so by leaving New York City to go to Sleepy Hollow so he might solve three murders – all decapitation.

Ichabod agrees to the task and arrives in Sleepy Hollow to meet Baltus Van Tassel (Michael Gambon), Reverend Steenwyck (Jeffrey Jones), Magistrate Phillipse (Richard Griffiths), and Notary Hardenbrook (Michael Gough). Each head of the town tells Ichabod about the legend of the Headless Horseman, which leaves Ichabod visibly afraid, though he ultimately scoffs at the idea.

Soon after Ichabod’s arrival, a man by the name of Jonathan Masbath (Mark Spalding) is killed via decapitation, leaving his son, known only as Young Masbath (Marc Pickering), an orphan. Young Masbath joins up with Ichabod to help solve the murders, of which Ichabod is convinced there is no vengeful spirit, but a living man.

That is, until he witnesses the death of Magistrate Phillipse. The shock of what he saw mixed with the disbelief that the Horseman actually exists sends him into a dead faint. He is aided by Baltus, his wife Lady Van Tassel (Miranda Richardson), the housemaid Sarah (Jessica Oyelowo), and Katrina Van Tassel (Christina Ricci). It’s Katrina that stays most by Ichabod’s side, as the two develop and romantic interest in each other.

Ichabod determines that there’s a conspiracy involving all the heads of the town, starting with the last will and testament of the first victim, Peter Van Garrett (Martin Landau). It is shown that he is incorrect in his assumption. There is a conspiracy, but it involves the Lady Van Tassel.

Mary Van Tassel was originally Mary Archer who lived in a cottage owned by Peter Van Garrett with her family. Her father died, and Peter evicted the family and sold the cottage to his kin, Baltus Van Tassel. As Mary’s mother was accused of witchcraft, no one in the town of Sleepy Hollow would take them in, so they were forced to live in the woods. Within a year, Mary’s mother died, leaving Mary and her sister to fend for themselves.

Mary witnessed the execution and burial of the Horseman out in the woods. Right then and there, she sold her soul to the devil in order to raise the Horseman to take revenge on the Van Garrett’s and Van Tassel’s. Her last target is Katrina, who is also a witch, but only practices in white magick.

Lady Van Tassel sends the Horseman after Katrina, but Ichabod and Young Masbath do what they can to protect her. As they’re running for their lives, they go to The Tree of the Dead, where the Horseman is buried – without his head. Lady Van Tassel had stolen it in order to control the Horseman. Ichabod steals it back, returns it to it’s rightful owner, and when the Horseman (Christopher Walken) is reunited with his head, he takes Lady Van Tassel and drags her back to hell with him.

The story ends with Ichabod returning to New York City with Katrina and Young Masbath to start life anew, and everyone (for the most part) lives happily ever after.

This is probably one of my favorite movies of all time. Johnny Depp portrays Ichcabod Crane wonderfully, even down to the cowardice, and as funny of a guy as Christopher Walken is, he plays the carnage-loving madman very well, even though he has no speaking lines. My biggest problem is with Katrina’s accent. I’m not sure if it was intentionally supposed to be a mix of American and English, or if Christina Ricci had difficulty maintaining the English accent. Nevertheless, the movie is still entertaining and has the dark atmosphere that Tim Burton fans know and love.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.

 

The Silence

thesilence

May 16, 2019
Horror/Thriller
PG-13
Germany/United States
Directer: John R. Leonetti

“Silence is the ultimate weapon of power.” – Charles de Gaulle

On a section of the Appalachian Trail in Pennsylvania, two scientists are digging into a cave. For what purpose is unclear, but they get a lot more than they bargained for. They hear a sound, kind of like screeching, off in the distance of the cave. They try to strain to hear exactly what it is, but before they know it, a swarm of flying creatures surrounds them and begins eating their flesh.

Ally Andrews (Kiernan Shipka) is a girl in high school who, three years prior, was in a car accident which cost the lives of her grandparents on her father’s side and her hearing. She can speak normally and read lips, but everyone still uses sign language. Even her “just friend” Rob (Dempsey Bryk), who has been learning to sign just for her. Their knowledge of signing will later be rather vital for their survival.

The Andrews family consists of Hugh (Stanley Tucci), his wife Kelly (Miranda Otto), Kelly’s mother Lynn (Kate Trotter), and the two kids Jude (Kyle Breitkopf) and Ally. There’s also a family dog (more like Ally’s dog); a Rottweiler named Otis who is very protective. And yes, because I know everyone will want to know, the dog dies.

News breaks out of the bat-like creatures escape from the cave, and everyone is told to stay in their homes and stay quiet. Ally comes to the realization that the cities are the worst places to be, so they decide to head out with Hugh’s best friend, “Uncle” Glenn (John Corbett) who is a rough-around-the-edges man with an intense desire to help keep the family safe.

As they all start to leave, they realize that just about everyone else in the city is trying to do the same thing and all the roads out are completely jammed. Glenn, who is leading the way, tells Hugh to follow him and cuts down into a field, breaks through a chain link fence, and comes to a side dirt road. They’re surrounded by trees, so no one sees the herd of deer that comes hurtling out, where they smash into Glenn’s car and send it rolling down a hill. Hugh rushes out to check on Glenn. His friend is alive, but bloody and his leg is stuck. Hugh tries to pry open the door to help Glenn get out, but Glenn instead tells Hugh to get his guns. Hugh obeys the request, but wants to know why. Glenn then tells Hugh that he’s going to shoot him if he doesn’t leave with his family. Hugh agrees, but says they’ll be back soon with help.

This isn’t what happens. Remember how I said the dog dies? Otis senses the oncoming danger of the bat-like creatures (at this point known as Vesps), and as most dogs do, starts barking. Out of desperation to save his family, Hugh lets Otis out, who takes off running. Ally is devastated by this, even though she understands, and though it’s now quiet in the car, the damage has been done. Vesps are bashing into the windows, clawing, trying to get in.

Glenn hears this going on from where he’s pinned in the car and makes a heroic decision. He begins firing his gun, effectively drawing the Vesps away from the Andrews family, but in so doing, ensures his own painful demise. The family understands what’s happening, and sit helplessly as they listen to Glenn scream.

When all is silent, though some Vesps can still be seen, Hugh gets out of the car to grab something to distract the Vesps with. There’s a tire iron he had used to try to free Glenn that he had tossed to the side. As he quietly makes his way toward it, Lynn (who suffers from asthma) begins coughing until Kelly can get her inhaler, which catches the attention of one of the Vesps. They’re completely blind, but have pinpoint hearing, and it descends on the car, so Hugh tries to hurry to get to the tire iron. He does and throws it further away from the car. The clank it makes causes the Vesp go after it, where Hugh then takes the time to get a lighter and set Glenn’s car on fire so that the family can then begin walking safely.

After the sun has set, they come across a house with a very tall fence made out of something that resembles chicken wire. Hugh tries to open a gate, but it’s locked with bells attached at the top. The noise not only brings out the Vesps, who attack the bells, but also the homeowner. This woman had clearly not been watching the news, and she starts to shout at the family to get off her property. As you can imagine, the Vesps lose interest in the bells and begin their feast on the elderly woman.

There’s a sort of storm drain that leads from her yard to outside the fence, so Hugh signs to everyone that he’ll go through it first, and when he’s sure its safe, will signal for the rest to follow. What he doesn’t realize, though, is his foot disturbs a mound of dirt as he’s crawling, where a rattlesnake emerges.

Hugh checks the house, and when he sees there’s no one else there, motions for his family to join him. Jude goes first, followed by Ally, Lynn, and finally Kelly. Jude stops when the snake shakes its rattle and tells the rest of them what it is. The sound of the snake draws the Vesps in, where one unintentionally saves Jude from the snake by beheading it, but the others come down on Kelly’s legs. As they attack her and she starts screaming from the pain, Hugh realizes he has to do something. His solution is rather ingenious: a wood chipper. He turns it on and the Vesps go flying in to be chopped up.

Once they’re in the clear, they head inside and get Kelly onto a sofa so they can check the damage. It’s rather severe, to the point where if she doesn’t get antibiotics, the infection will kill her. Naturally, there aren’t any in the house, so Hugh and Ally volunteer for the mission to hunt some down.

The next day, the two of them walk into town to a pharmacy, and while Hugh is stocking up on medication, Ally discovers that the Vesps are using the hollowed out human remains to lay eggs. As you can imagine, it’s pretty gross to look at. But that’s the least of their problems.

Hugh and Ally start back to the house, but are stopped by The Reverend (Billy MacLellan) who pulls out a notebook and shows them a page that introduces himself and asks them to join his flock called The Hushed. They decline, are a bit creeped out by the guy, and continue on their way.

Kelly gets the antibiotics and is healed, and Ally (who always has her tablet on her to keep updated) finds out that the Vesps hate the cold, and people who live above the arctic circle aren’t having nearly as many problems, because the Vesps are all dying. They decide that north is the direction they need to go, but before they can leave, The Reverend shows back up with some of his followers.

Hugh goes out to talk to him, and The Reverend continues his insistence that the family join him. Hugh begs them to leave him and his family alone, and is ready to go back in the house, but then The Reverend makes it clear why he wants them so bad. He writes, “The girl is fertile.” Hugh turns to grab a shotgun and points it at The Reverend. This, for some reason, causes The Reverend to open his mouth and show that his tongue has been cut out. They finally leave, but as you watch, you can get the impression that’s not the last the family will see of them, and it’s not long before they take their revenge.

The night before the family begins their trek north and everyone is sleeping, Hugh is awakened by a noise he hears outside, like someone is moving around. He wakes Kelly and the two go downstairs, where Kelly gets Lynn up, who then wakes up Jude, who had both been sleeping on sofas. When they look out the window, they see a young girl, so they let her in. They begin asking her questions like who she is and if she’s alone. When Kelly notices a bruise on the girl’s jaw. Hugh opens her mouth to see that her tongue is gone, but that’s not the only thing wrong. The girl is strapped with cell phones, and they all the alarms begin to go off. Ally, who had woken up in a bed upstairs, screams when a Vesp crashes through her window, and Kelly rushes to get her. Hugh gathers all the phones and puts them in a tub of water, which immediately silences them.

But then more phones taped to windows around the house go off. Hugh yells to get into the basement, but as they do, two men grab Ally and carry her outside. Kelly tries to stop them, but is kicked back into some shelves. With the wind knocked out of her daughter, Lynn rushes out to save Ally. When Ally sees her grandmother, she bites the hand of one of the men carrying her, which makes him drop her, and Lynn grabs hold of both of them and drags them to the ground. When Ally is at a safe enough distance, Lynn screams at the top of her lungs. Though she dies from the Vesp’s attack, so do the men who had taken Ally.

But it doesn’t stop there. The rest of The Hushed come out and a flock-on-family fight breaks out. The entire flock dies, save for a woman and the young girl. The last death is The Reverend, where Hugh beats him in the head with the butt of the shotgun.

The next day, they’re able to head north to a place called The Refuge, where Ally is particularly happy because that’s where she’s able to meet back up with Rob. The Vesps are still around, but more scarce, and they have to continue to stay silent, but all seems well.

Overall, I thought the movie was good, but the ending was pretty weak. It’s a film where there are some pretty on-the-edge-of-your-seat parts, and you’re expecting something to happen, but then the end comes and it’s pretty much nothing. The movie is only an hour and a half, so if your curiosity is piqued, I’d say give it a shot. Or if you like thrillers with somewhat happy endings, you might really enjoy this one.

If you have a movie you would like me to review, leave a comment or send an email to spoileralertblog@outlook.com with “movie review” in the subject line.